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supported by 22 fans who also own “centre”
Powerful vocals and affecting lyrics, this is magnificent stuff. Thank you for sharing your art with us Reb! Clearly, I am late to the party, but happy to be here now and will listen quietly from my corner so as not to break the spell.
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Future Me Hates Me
by The Beths
supported by 21 fans who also own “centre”
I love that the guys' harmonies have more focus in this album; it's a very different balance than Expert In A Dying Field, but I like it!
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supported by 15 fans who also own “centre”
A brilliant and surprisingly fast follow-up to her self-titled album.
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Breezy acoustic pop from Dunedin, “Caprice” floats feathery vocals over sunny guitars and keys.
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Emotive and atmospheric songs from this New Zealand musician, heavy on texture and unvarnished emotion.
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In The Marigolds
by Jim Nothing
Slashing and hooky, this LP of guitar-driven pop is just as heavy on scuzzy riffs as it is on beatific harmonies.
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supported by 15 fans who also own “centre”
If Suzanne Vega started this decade she might have sounded like this, good acoustic guitar song observations with a novelistic eye, and a support band that embellishes but never overpowers the music. Found this artist only this year thanks to a Milk Records compilation, which proves they work. Favourite track: "How Much", simply superb, but also check "Sparklers" and "Kore Waits in the Underworld".
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